Showing posts with label new zealand music. Show all posts

A FEW LIVE UNDERGROUND NZ ACTS THAT YOU SHOULD PROBABLY GO OUT AND SEE!

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It's May, which means its New Zealand music month! And what better way to celebrate New Zealand music month then going out and watching some of the awesome local live acts playing around Auckland this month.

HEX

Wellington trio Hex are releasing their debut EP- 'CALLING TO THE UNIVERSE' this week and are playing their release show up in Auckland at the Golden Dawn Tavern. I've never been much of a fan of labelling bands and putting them into genre's, but on their facebook they describe their genre as pagan folk metal, which after much listening I think it sounds like exactly that. HEX play May 13th Friday at the Golden Dawn Tavern with Civil Union and DJ Kiran Dass, show starts at 8PM.





CIVIL UNION

Auckland band Civil Union who describe their music as stadium/death rock/shore core/slob goth, are releasing their debut album 'SEASICK LOVEDRUNK' this month. Their shows are always awesomely loud with heavy bass, mad drums and a guitar that cuts through all of it like a chainsaw, so good! Civil Union are having their LP release at Whammy Bar on May 19th Thursday with Peach Milk and Guardian Singles.




CENTRE NEGATIVE

Centre Negative are one of my favourites! I've seen them play twice now and each time was a hoot with lots and lots and lots of dancing. Two synths, heavy bass and some awesome guitar playing and then Michael McClelland, who fronts the band, is a force to be reckoned with. Centre Negative play at Audio Foundation on May 14th Saturday, with a swarm of awesome local bands. Show starts at 4PM.





I.E. CRAZY


Claire Duncan aka Maggie Magee is the absolutely mesmerising i.e. crazy. Hauntingly beautiful lyrics and singing, backed by a drum machine, and her electric guitar, is an act not to be missed. i.e crazy plays May 13th Friday at The Crown Hotel in Dunedin with Seth Frightening and Terrified.








Read: NZ Music Awards - 1995: A nod to the way we listened back in the day.

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Emerging from the shaggy sixties Kiwi music scene, the Loxene Gold Disc Awards were the groovy great grandparent of today’s New Zealand Music Awards.

To give a shout out to these often contentious awards, celebrated at Vector Arena in Auckland next week, I delve back in time, rewinding to the local tunes of 1995.

Twenty years ago, Grandmaster Jim Bolger turned up the national sound system, whilst the country swaggered and saluted a tangy tub of local treats. Running up the charts with her headless chooks, Fiona MacDonald tapped the bottle of pop recognition, severing the ties to their alternative cohorts with the ultra-digestible ‘Body Blow’. Also set for cruise control, brat-brass funky fellows Supergroove spun some major “Traction’ with their debut album sounding like a greatest hits of our summer antics.

South Auckland street-sounds blasted the skateboard ramps from Ranui to Raglan, with 3 the Hard Way’s heaving Holden anthem, “Hip Hop Holiday”, sparking many a tinny road trip over the summer months. Rollin ‘In the neighbourhood’, took the Sisters Underground from the Otara markets to the cafĂ© stretches of Ponsonby proudness, crossing over our separated soundtracks.

Be it rhythm and booze or patriotic Dobbyn loyalty, we Kiwis punch way above our beat belts. We love our music, both local and otherwise. To stand beside our mates, on a girl’s night out or cruising down Dominion Road, we have and have always had a lot to celebrate. Not a lot has changed in that regard, even now, twenty years since 1995.


Listen: Laneway 2015 New Zealand artists

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Bespin 



A little somewhat unknown band from Auckland, who describe themselves as having an 'ambivalent' sound. They have a hazy, groove-based shoegaze sound. 

Connan Mockasin



A psychedelic pop artist from Te Awan. Produces some very quirky and tasteful music videos and has a quiet, yet toned vocal style. Connan is an introverted and unique artist who will likely prove one to watch at Laneway 2015.

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Interview: Lumm

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Written by: Richard Giles

New Zealand often produces incredible music with a sense of individuality and  freshness, which comes straight from the woodwork. We have found yet another gem in Lumm, aka Lucian Manetto-Munro an Auckland based ambient-indietronica artist. Lumm's sounds are unlike anything else in the music industry, they are elaborate, vibrant and overall works of art. To support Lumm check out Lumm on SoundCloud or Lumm on Facebook. His music is currently free to check out and share!

We caught up with Lumm to understand just where the inspiration for his music comes from:

What are the inspirations for your tracks?
If anything inspires my music it would be the things around me; my friends, family, and general life.
I try not to be inspired by other peoples music, as I then tend to make songs that I am not happy with in the long run. It's important to stay true to yourself, and to not be sidetracked by phases or fads that generally end up being short-lived.

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Interview: van der Wel

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Photo: Victor Alexeyev 

van der Wel is the musical project of Hamilton-based Phil van der Wel. We first met through a shared love for the slowcore narratives of the American artist Pedro The Lion, and it's wonderful to see Phil's music developing in a way which shows that influence while moving into its own space as well. He's recently released an EP called O Canada, and one of the tracks - British Columbia - is pretty magical. So - before you do anything - I'd really like you to go on and click play right here.



Phil took time out to answer a few questions about his inspirations and the making of O Canada. You can buy a download of the EP for the affordable price of $5 NZD (or more, if you wish) at his Bandcamp.  

Can you tell me about how you got started playing music? What inspired you to get started, and what did you initially set out to do?
Sure. I have been playing music in one form or another since a young age, and first picked up a guitar when I was 11 or 12. I played songs with various school mates throughout middle and high school, and after leaving school started a band with a few friends, playing mostly melodic rock along the lines of Further Seems Forever or Jimmy Eat World (or something). A defining point for me musically was in 2007 when I moved to Canada. Suddenly I was separate from my friends and the music we listened to, and immersed in new friends and new (better?) music - David Bazan, Damien Jurado, Jon-Rae Fletcher, Phosphorescent, Iron and Wine, Fionn Regan, Danielson Family, etc.. I had previously been introduced to some of the music in New Zealand, but more as a side dish rather than the main course. I wanted this music for my starter, mains, and sides. There was no objective in mind, only a desire to sing songs.

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Read: The Problem With Music in New Zealand and How to Fix it

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Independent music promoter and all round sweet dude Blink has an enviable track record in New Zealand music. He's put on Camp A Low Hum, toured bands around the country endlessly, ran a number of successful venues and booked a number of international tours. With experience in all these areas, he's well placed to point out where things are going wrong here, and he's written a book/collection of essays on the topic. The Problem With Music in New Zealand is pretty essential reading for independent musicians. It's alternately inspiring, depressing, or a weird combination of the two. It's available as a printed book, Kindle file, or a pay what you like PDF. Definitely check this out.