Podcast: Gareth Shute from The Conjurors

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In this episode of the All Things Musical podcast we play some live recordings from The Conjurors' performance at Auckland Libraries in May, we talk to Gareth Shute from the band about where he buys his socks, plus we listen to tracks from Scott Mannion, The Cosbys, Lawrence Arabia and the Ruby Suns. As well as being a multi-instrumentalist, Gareth has written five books which you can find in our catalogue. Head to our podcasts page to listen to the podcast via a web player, or right click and 'save as' here to download it to your computer.

Listen: Emily Edrosa EP

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Emily Littler of Street Chant has been working on solo material under the name of Emily Edrosa. With drum machine beats and sparse backing, her lyrical style comes more to the fore over six stunning tracks. It's being released digitally and on a run of 50 cassette tapes via her own Pasta Tapes label. Check it via the Soundcloud widget above.

Via Noisey.

Hype Machine tips Broods and Yumi Zouma

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Broods and Yumi Zouma
It's been a big year for Kiwi acts Broods and Yumi Zouma. The two bands have very different origins and takes on electronic pop, but have similarly found themselves darlings of the international blogosphere. While the former is a brother/sister duo produced by Lorde producer Joel Little, the latter formed when all three of their members were based in three different countries (and funnily enough they'll be touring with Lorde in the US).

The two acts have found themselves signed to overseas labels and blog aggregator Hype Machine has them both sitting in their 2014 (and a half) ones to watch list. Head over there to check out what they had to say and listen to the rest of the blogosphere's heir apparents.

www.broods.co
www.yumizouma.com

Watch: Black Simon and Garfunkel cover 'Shake It Off'

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The Roots' ?uestlove and "Captain" Kirk Douglas have been teaming up of late to perform as Black Simon and Garfunkel on The Tonight Show. Good times. 

Listen: Chelsea Jade - Nightswimmer

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Dream pop savant Chelsea Jade (Watercolours, Teacups) has released a brand new single. With her usual blend of poetic lyricism and ethereal production, the track marks her first release under the new name of Chelsea Jade after performing as Watercolours in recent years. Listen/buy it via the Bandcamp widget below, and if you get a hankering to hear some of her back catalogue you can borrow the Teacups album Forest Fiction or the Watercolours EP Portals via Auckland Libraries.

Podcast: Anthony Metcalf from Glass Owls

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Anthony Metcalf from the band Glass Owls and formerly of the little known but critically acclaimed Howick podcast Hello and Welcome to the Internet stopped by the Auckland Central Library to talk.

Topics covered include his favourite flavour of ice cream, some anecdotes and thoughts about Waiuku and recording the Glass Owls album Out From the Darkness there, why Ben Affleck isn't going to be a good Batman and how Spoon is a great band with cool drums.


You can play the podcast either using the above web player, or right click this direct link to episode two and select 'save link as' to download it straight to your computer.

Watch: Tiny Ruins on A Takeaway Show

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Currently touring the world and winning hearts, Tiny Ruins did a performance for La Blogotheque's A Takeaway Show. Enjoy.

Watch: Miss June in session at 95bFM

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Auckland band Miss June have been making waves recently with their high energy live shows. If you haven't caught the punky four piece yet, then you can approximate that experience from the comfort of your laptop by watching their stunning recent In Session with 95bFM.


Blink announces alternative to APRA

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If you read Blink's e-book The Problem With Music in New Zealand & How To Fix It (covered in a post over here), you'll have heard his thoughts on the work that APRA does collecting songwriting royalties for New Zealand artists. Without going into detail, his argument is that the performing rights organisation perhaps doesn't do the most rigorous job of ensuring that their collected royalties are paid out to the appropriate songwriters. The e-book is well worth a read.

Now he's backed that up by announcing the planned launch of an APRA alternative called PROPS, which stands for Performance Royalty Open Payments system. One of APRA's roles is collecting royalties from live venues to then theoretically pay onwards to the appropriate registered songwriters. From the sounds of things, PROPS is designed to fill that role, but would pay bands twice the amount of money and within 7-14 days.

"In a few months I’ll have an outline of how PROPS works on my website and how anybody can employ the system for themselves. It is not meant to be a system to replace payments for background music at this point, only live performances. I doubt APRA would see this as legit, but, it would be very funny to see them complain about a system that does their job significantly better than they do. Music users shouldn’t pay APRA if they can show they can do a better job distributing the money themselves. I’ve been paying fees for years and believe in paying these fees, my beef is not about the idea of paying fees, it’s just I just wanna make sure they go to the right people."


Watch this space. 

Watch: FKA Twigs - Two Weeks

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Listen: Promised Miracles presents a mixtape by Shocking Pinks

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Here's a bit of a treat. I've always been a big Shocking Pinks fan, and this week Melbourne based label Promised Miracles has released a mixtape curated by Nick Harte. As well as one of his own tracks, it includes a new track by Scott Mannion from the Tokey Tones (which is reportedly the first new music he's released in ten years), Emily Edrosa's brilliant song Give Your Body to Science, and a fantastically weird Dragon remix by Pikachunes. It's a dreamy, beautiful collection of tracks and it's available as a free download from the Promised Miracles Bandcamp (which you can stream or download from the widget below). Get onto it.



For more from the Shocking Pinks, CDs of Mathematical Warfare and Shocking Pinks are in the library catalogue and available to borrow.

Interview: van der Wel

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Photo: Victor Alexeyev 

van der Wel is the musical project of Hamilton-based Phil van der Wel. We first met through a shared love for the slowcore narratives of the American artist Pedro The Lion, and it's wonderful to see Phil's music developing in a way which shows that influence while moving into its own space as well. He's recently released an EP called O Canada, and one of the tracks - British Columbia - is pretty magical. So - before you do anything - I'd really like you to go on and click play right here.



Phil took time out to answer a few questions about his inspirations and the making of O Canada. You can buy a download of the EP for the affordable price of $5 NZD (or more, if you wish) at his Bandcamp.  

Can you tell me about how you got started playing music? What inspired you to get started, and what did you initially set out to do?
Sure. I have been playing music in one form or another since a young age, and first picked up a guitar when I was 11 or 12. I played songs with various school mates throughout middle and high school, and after leaving school started a band with a few friends, playing mostly melodic rock along the lines of Further Seems Forever or Jimmy Eat World (or something). A defining point for me musically was in 2007 when I moved to Canada. Suddenly I was separate from my friends and the music we listened to, and immersed in new friends and new (better?) music - David Bazan, Damien Jurado, Jon-Rae Fletcher, Phosphorescent, Iron and Wine, Fionn Regan, Danielson Family, etc.. I had previously been introduced to some of the music in New Zealand, but more as a side dish rather than the main course. I wanted this music for my starter, mains, and sides. There was no objective in mind, only a desire to sing songs.

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Interview: Luckless

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Last year saw Ivy Rossiter of Luckless move to the small, but vibrant creative community of Lyttelton, where she recorded her excellent new album Vindication Blues. Originally formed in 2010 as a solo project, Luckless draws inspiration from 90’s heroes like PJ Harvey, Mark Lanegan and Sparklehorse, and modern acts like The Kills and Warpaint. 

Swiftly gathering praise for Vindication Blues, Ivy took time out to answer a few questions about the album.



Hey Ivy, did I see somewhere you moved to Lyttelton?
Yes indeed, I moved to Lyttelton in the middle of last year, interspersed with some pretty steady touring on both sides of the move.  We recorded at the Sitting Room Studio in Lyttelton with Ben Edwards as well, so that was convenient for me, if not for our Auckland-based drummer Logan.

What drew you to working there?
I had made some good friends in the music community in Lyttelton through 2012, and their work ethic and motivation made a big impression on me.  There was a real focus on the getting-your-hands-dirty work of being a musician - writing songs, booking gigs, touring - and less focus on the creation (distraction) of hype or buzz around the work.  It felt like a place that would help me to focus on what is important, rather than letting myself be bothered with the business of being a social butterfly.  And also, at the time (although not so much now) it was cheaper to live down here than in Auckland.

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Watch: Courtney Barnett - Avant Gardener

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Courtney Barnett is a brilliantly clever Australian lyricist. Avant Gardener is a charming track about gardening during a heatwave and ending up in an ambulance. It's got great lines like "the paramedic thinks I'm clever because I play guitar/I think she's clever cause she stops people from dying" and the tennis umpire is a Bob Dylan lookalike, so that five minutes and twenty seconds just flies by.

Update: Barnett has just announced she's coming to New Zealand for one show at Auckland's Kings Arms on September 17. Tickets go on sale from 9am, Tuesday July 22 from Under The Radar and Real Groovy.


Read: The Problem With Music in New Zealand and How to Fix it

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Independent music promoter and all round sweet dude Blink has an enviable track record in New Zealand music. He's put on Camp A Low Hum, toured bands around the country endlessly, ran a number of successful venues and booked a number of international tours. With experience in all these areas, he's well placed to point out where things are going wrong here, and he's written a book/collection of essays on the topic. The Problem With Music in New Zealand is pretty essential reading for independent musicians. It's alternately inspiring, depressing, or a weird combination of the two. It's available as a printed book, Kindle file, or a pay what you like PDF. Definitely check this out.

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