Archive for February 2016

Listen: WOMAD 2016 Artists

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Taranaki once again plays host to WOMAD from 18 - 20 March this year. We know a lot of Aucklanders make the trip down for this unique music festival, so thought it would be worth recommending some acts that we're particularly excited to see.


Ladysmith Black Mambazo

This South African vocal ensemble first became famous in the 1980s playing on Paul Simon's Graceland album. They've released over a dozen albums since (including the remarkable No Boundaries with the English Chamber Orchestra), but for many this will remain their signature song:




Songhoy Blues

The landlocked areas of West Africa have become famous for gritty, spiraling style of guitar playing and each year WOMAD seems to uncover a new group with a fresh take on this style. This year the slot is taken by Songhoy Blues from Timbuktu (Mali). The core members of this group were forced to relocate to the Southern capital of Bambako when a jihadist group took over the north of the country and imposed strict sharia law (which included banning cigarettes, alcohol and music). Their newly formed group soon gained an international following and their debut album, Music In Exile, was recorded by Nick Zinner (from the Yeah Yeah Yeahs). The video below might induce motion sickness in a few viewers, but just hide the visuals if necessary and have a listen because it's a great example of the great music that's been coming out of that area of the world over the last couple of decades.





Edmar Castañeda

Castañeda's music might sound like a groove-based Colombian take on jazz, but if you actually see how he's creating the sound then you'll be amazed. What sounds like bass and acoustic guitar on first listen is actually just him playing a harp on his own. Even if this isn't your type of music then the musicianship on display needs to be seen to be believed.



Calexico

For the last twenty years, Calexico have been creating their own, distinct Tex-Mex sound. Their latest album, Edge of the sun, was seen by many as a return to their best, with rave reviews from Pitchfork, Q Magazine and Uncut. Here's a track of the album that shows that the influence of Mexican horns and rhythms still provides the heart of their music:




Also...


The artists above are just some of the fine acts appearing this year and the overseas line-up also includes: Fela Kuti's son, Seun Kuti, bringing some Afro-funk; De La Soul sparking up the dancefloor with their catchy hip hop sound; and St Germain providing some great live jazz instrumentation over smoothly programmed beats.

I'd also recommend the combined set by Tiny Ruins and Bic Runga, during which they do versions of songs by Fleetwood Mac ("Dreams"), Simon and Garfunkel ("So Long Frank Lloyd Wright"), Yoko Ono ("Nobody Loves You Like I Do"), Love ("Andmoreagain"), and Donovan ("Wear Your Love Like Heaven"). Amazing to hear two of New Zealand's strongest female voices come together in beautiful harmony, especially when their taste in covers is so intriguing. And if that's not enough local talent, then you also have the chance to see soulful country singer, Tami Neilson, and an amazing new piece ("No Man's Land") by one of our finest contemporary composers, John Psathas.

Auckland Libraries also has the 2016 WOMAD compilation on order and you can check out the full list of artists over at the WOMAD website.

If you want to investigate the line-up further then check out the preview piecs by Trevor Reekie and Grant Smithies on Radio New Zealand or the great coverage by Graham Reid's website, Elsewhere.


Pulsing – Early excursions into local Eighties Electronica.

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Well before smiley faced whistle blowing club goers were, ‘right on one matey’ and losing themselves in ecstatic bliss on UK dance floors, local Kiwi creators were twiddling knobs and injecting their own brand of synthesised soul into the club scene and national sales charts.

Post punk, studio fused tracks took the raw elements of an anti-establishment mentality whilst embracing new technologies such as sampling keyboards and funky frequencies, to redefine the sounds and styles of what we were used to hearing on our turntables.

From as early as 1979, Mi-Sex, a neo-new wave collective, combined cutting edge studio production with a dynamic live show to expand and explode this new electronic/guitar noise on our unsuspecting eardrums. Led by enigmatic Steve Gilpin as lead vocalist, Mi-Sex scorched the charts with sonic singles ‘People’ and ‘Computer Games’. The later timeless classic rammed a repetitive keyboard loop into the mainstream, full of attitude with a brainwashing beat to hypnotise and exorcise our living rooms.


Another epic slab of energetic experimental ism came in the form of Body Electric, a loose studio based band of post punk pioneers emerging from the ashes of Wellington’s punk and proud The Steroids. Steered by the clever hands of Alan Jansson (yes, he of ‘How Bizarre’ fame), Body Electric tinkled with the idea of aural anarchy via the airwaves of the burgeoning student radio network. 1982 saw their local launch of ‘Pulsing’, an extended mix of chaotic frequencies, which took on the mighty Sheffield synth gods Human League, taking a place on our national charts after nearly 3 months of slow building airplay support. To this day ‘Pulsing’, is highly unique, in that it sounds like a techno time capsule from the future, beat-box blades scraping a mashed up melody from scraps of psychotic ranting, hypnotic, harmful and yet fully immersive.

At this time Split Enz were crafting a less manic mindset and New Zealand culture and sounds were calming down from banging heads and piercing punk provocativeness to a financially fused production experience. Often behind closed doors in well stocked studios, overseas inspiration was flooding into our creative process, with Kraftwerk and Public Image Limited paying a prominent part in shaping our future sounds.


Check out some Mi-Sex and see how it stacks up with today's sound or delve into the equally excellent compilation It's Bigger than the Both of us, both well worth a re-visit.
Alternatively, for an equally excellent excursion slap on the Hallelujah Picassos,  or the dreamy dubbed out bliss of Pitch Black, proud examples of what a well stocked studio can deliver.

Dave Tucker