Archive for October 2015

Watch: The phoenix foundation - Give up your dreams

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Not so long ago Wellington's The Phoenix Foundation released the video for the titular anti-ambition anthem of their 6th album Give Up Your Dreams. Featuring a dirty and desperate Bret McKenzie (one half of The Flight of the Conchords and Oscar and Grammy award winner) digging an endless hole somewhere in the Wellington hills, the video is an Andrei Tarkovsky-inspired existential trip directed by fellow Wellingtonian Loren Taylor. The video is a perfect accompaniment to the meditative mood that we find the Foundation in; reflecting on their existence as a band and their place in the musical landscape as they age.

The track itself is peak Phoenix Foundation, with its wryly observed lyrics, driving rhythms and strong synth-led melodies. Despite a droll voice over intoning maxims such as: "Don't let anyone tell you that you're special" and "Don't anyone say that the world is your oyster" in the bridge, this is a joyous and ultimately uplifting affair. Plus, it never hurts to be reminded that "all that we can do about it is be alright about things and get on with stuff".

 

Review - 'The Partnership: Brecht, Weill, Three Woman, and Germany on the Brink' by Pamela Katz

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The Partnership is a non-fiction exploration of the creation of The Three-Penny Opera and the tangled personal and professional relationships of Bertolt Brecht, Karl Weill, Lotte Lenya, Helene Weigel and Elisabeth Hauptmann. 

"Mack The Knife" from the movie "The Threepenny Opera"

Katz does not seem interested in casting the complicated personalities as heroes or villains but as people with multi-faceted and at times conflicting agendas. It’s a human, considered approach to individuals who are all too easy to damn in retrospect with a contemporary perspective.The final third of the book, which see the disintergration of Brecht and Weills creative relationship against the backdrop of the rise of the Nazis, is particuarly compelling and absorbing.  

"Mack The Knife" performed by Dean Martin

For someone not familiar with Brecht and Weills' influence over culture, both past and contemporary, the book opens your eyes to their presence. Sometimes it's the familiar songs that turn out to be derived from their song book, on other occassions it is their effect on other artists sensibilities.

 "Alabama Song (Whiskey Bar)" performed by The Doors

Tom Waits springs to mind. Waits maintains he was not aware of Kurt Weill until other people started to compare his sound to the composer: "Well, the weird thing about Kurt Weill is that after I made a few records in the '80s, people started to tell me that I was sounding like this guy, or that I must be listening to this guy. So I figured I should probably go out and listen to him, because I'd never heard of him before. I did listen, and then I thought, 'Oh, I hear that.' " There is no reason to doubt Waits but it does make you consider that perhaps  Weills' sound is so pervasive that Waits had absorbed it whether he knew it or not.


                                           "What Keeps Mankind Alive" performed by Tom Waits

Weill and Burchts influence is not limited to the world of music. Comics writer and novelist Alan Moore has drawn on The Three Penny Opera for inspiration a number of times over the course of his career and early on produced a newspaper strip under the psdoneum Curt Vile. Anyone who is familiar with Moores career and particuarly his reponse to the overwhelming success of his comic Watchmen will be amused by Brechts similarly mixed feelings about The Three Penny Opera.


                                                     "Pirate Jenny" performed by Nina Simone

If The Partnership fails to deliver in any way it is the citical anaylsis of the works, which seems perfunctoary and obvious, and to the attention paid to Hauptmann, Lenya and Weigel. It is not that Katz fails to address their contributions it is that everythings seems to be purely inspired or motivated by Brecht or Weill. While this was underdoubatbly an important part of the interpersonal dynamics it's hard to see three such forceful and determined individuals purely motivated by their devotion to one man. To contrast that aspect to the rest of the book which deal with the complex, symbiotic relationship between Brecht and Weill, two men with very definite personal agendas, the observation seems a little thin. 

                                           "Ballard of the Soliders Wife" performed by PJ Harvey

Review- Top 10 e-Books and e-Audiobooks About Music

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The Auckland Libraries eBook and eAudiobook collection has grown massively over the last couple of years, so I thought it'd be a great time to collect together some of the best titles to read or listen to on your device. I've tried to be as wide-ranging as possible so hopefully there's something to suit all tastes.If you need more information on how to access these titles, see our eBooks and eAudiobooks section.

Top 10 Music e-Books



Blue Smoke book cover. Blue Smoke: The lost dawn of New Zealand popular music 1918-1964
by Chris Bourke

This book is filled with wonderful photographs and tales from the early years of local music. The richness of its coverage saw it win the NZ Post Book of the Year Award in 2011.






Nirvana
by Everett True

A biography of Nirvana written by the music journalist who introduced Kurt to Courtney. Prior to this, True had already written for NME, Melody Maker, and Vox so he brings some writing power to the piece as well. As a result, this book provides a unique insight into the band and it's sudden end.





How to listen to pop music
by Nick Bollinger

Listener readers will already know Bollinger as their long-standing music critic. He's also been a gigging musician since the early 70s and hence has a love of music that comes through on every page of this book. It's part memoir and part meditation on how to get the most out of popular music.






Everyone loves you when you’re dead
by Neil Strauss

This is a wild set of tales from experienced music journalist, Neil Strauss. Over the course of the book, he makes Lady Gaga cry, is kidnapped by Courtney Love, and has a long drinking session with Bruce Springsteen. Strauss takes a high octane approach to his writing, as readers of his Motley Crue biography (The Dirt) will already know.
(Also available in a print version).




The Fallen
by Dave Simpson

Even if you only have a passing interest in The Fall, then you'll probably find this book entertaining. The author tracks down over forty different musicians (and non-musicians!) who've been in-and-out of the band since their inception in the late seventies. Even the most minor members seem to have surprising tale to tell - such as the manager of the Chemical Brothers who was convinced backstage at the Reading Festival to take the place of the band's missing drummer for their set!


How The Beatles rocked the Kremlin
by Leslie Woodhead

The Beatles music slipped into the USSR in the midst of the cold war and proved that there was an exciting culture to be discovered on the other side of the Iron Curtain. This book provides an interesting angle on why The Beatles were important and adds another aspect to their legacy.





How music works. How music works
by David Byrne

Byrne was the lead singer of quirky rock group, Talking Heads. Yet he's spent the last decade exploring more experimental territory with production guru, Brian Eno, and young indie starlet, St Vincent. His unusual explorations give him a great perspective to write about why humans are so attracted to melody and rhythm. An intriguing read for musicians and music lovers alike.



The importance of music to girls
by Lavinia Greenlaw

This book focuses more on Greenlaw's private journey, rather than making any attempt at music criticism or provide comment on the wider scene. However, her gradual drift from 60s rock to disco to punk does provide a window on how music can influence a person's life and her poetic style of writing adds some heft to the narrative.




Dylan goes electric
by Elijah Wald

The moment that Dylan broke from being simply a folk hero and began experimenting with rock influences is always portrayed as a turning point in his career. This focuses in on this crucial change and brings to life the shock and outrage that it invoked at the time. If the copy linked above happens to be unavailable, then another copy is available from our other eBook service.



by Nick Hornby

Nick Hornby is known for his 'lad-lit' novels about guys coming to terms with the pressures of adulthood, with his most famous novels being About a boy and High Fidelity. However, Hornby is also a music critic for the New Yorker and here he uses as discussion of his favourite songs to wax lyrical on the meaning of music and why some songs retain an important place in our lives, even after we've long since quit listening to them.




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