Archive for March 2013

RIP Jason Molina

No Comments »

A melancholy picture of the heartbreaking singer songwriter


With the independent music world mourning the death of alt-country heartbreaker Jason Molina, Magnolia Electric Company is streaming his very extensive catalog on their bandcamp.

His record label Secretly Canadian had this to say:
 
"We are deeply saddened to announce that Jason Andrew Molina passed away in his home in Indianapolis this past Saturday, March 16th of natural causes at age 39. Jason was a world class musician, songwriter & recording artist. He was also a beloved friend. He first caught international attention in 1996 when he began releasing albums under the name Songs: Ohia. In 2003 he started the band Magnolia Electric Co. Between those two bands he released over a dozen critically-acclaimed albums and — starting in 1997 — he toured the world every year until he had to stop in 2009 to deal with severe alcoholism. Jason was incredibly humbled by his fans’ support through the years and said that the two most important words he could ever say are 'Thank you.'
This is especially hard for us to share. Jason is the cornerstone of Secretly Canadian. Without him there would be no us — plain and simple. His singular, stirring body of work is the foundation upon which all else has been constructed. After hearing and falling in love with the mysterious voice on his debut single "Soul" in early 1996, we approached him about releasing a single on our newly formed label. For some reason he said yes. We drove from Indiana to New York to meet him in person and he handed us what would become the first of many JMo master tapes. And with the Songs: Ohia One Pronunciation of Glory 7" we were given a voice as a label. The subsequent self-titled debut was often referred to by fans as The Black Album. Each Songs: Ohia album to follow proved a new, haunting thesis statement from a prodigal songwriter whose voice and soul burned far beyond that of the average twenty-something. There was organ-laced, sepia-toned econimica (1998’s Impala) and charred-hearted, free form balladry (1999’s Axxess and Ace). There were the dark glacial make-out epics of 2000’s The Lioness and the jungle incantations of 2000’s Ghost Tropic. There was the career-defining agnostic’s gospel of 2002’s Didn’t It Rain, an album about setting roots that also seemed to offer solace to a world that had recently seen its bar on terror raised. It was followed in 2003 by a thrilling about-face, the instant classic Magnolia Electric Co., which took Jason’s songwriting to ’70s classic rock heights. The move was such a powerful moment for Molina that Magnolia Electric Co. became the new moniker under which would perform until 2009. With Magnolia Electric Co., Jason found a brotherhood in his bandmates, with whom he built an incredible live experience and made a truly classic album in Josephine (2009).
We’re going to miss Jason. He was generous. He was a one of a kind. And he had a voice unlike any other."
Fans can contribute to Jason’s medical fund as a memorial gift by sending money via PayPal

The Corner announces Awesome Feeling 7

No Comments »



Carrying on the great tradition of Real Groove's (RIP) yearly compilation of the best and most exciting new acts in New Zealand - one of our favourite blogs The Corner has announced plans for the latest installment of Awesome Feeling. Over the years Awesome Feeling has introduced new artists to the wider consciousness. It first started dispensing its awesomeness on the cover of Real Groove in 2007, and its early volumes collected tracks from such artists as Cut Off Your Hands, So So Modern, Collapsing Cities, The Naked and Famous, Princess Chelsea and Street Chant (then called Mean Street). Here's the guff straight from The Corner:

Similar to how we’ve done things for the previous two years, we want you to submit your song for consideration – you can do that via our dropbox on Soundcloud or by emailing us at editor@thecorner.co.nz. It’ll help if you have some bio information, a press shot, links to Facebook/Twitter/Soundcloud/Bandcamp etc, but it’s not essential either – we’ll still listen to everything that comes our way. Tracks should be submitted as an mp3 at 320kbps. We’ll be revealing one new artist/track every weekday throughout May, and posting the entire compilation for download at the end of the month. Submissions close on Friday April 5 2013.

Check out the last two installments, free to download at the following links.
Download: Awesome Feeling 5
Download: Awesome Feeling 6

DLT - Great Mixes

No Comments »

It’s a mystery why DLT only has a handfull of remixes in his resume. He's clearly a man with great taste and knows how to get the best out of what's in front of him.

Those skills are obvious on Great Mixes, DLT’s radical reinterpretation of Supergroove’s TractionThe mini-album was produced in the aftermath of a Supergroove/Joint Force national tour, with DLT chosen by Supergroove to execute the project, (and thank the good lord you were spared the Strawpeople remix with that special underwater trumpet courtesy of Greg Johnson).

The tracks on Great Mixes are often just made up of a skeleton of beats and vocals but still manage to be refined, beautiful and weird, opening up whole new dimensions within the originals. Check out Depth bomb, a demented paring back of You freak me. Gone are the guitar shenanigans of Ben Sciascia and left in it’s place is the bombastic charisma of the beat (and Karl Steven’s screeching harmonica licks).

But Greatest Mixes is not just a refocousing of exisiting material, take Bloody shame, his evisceration of chart topper Can’t get enough. About half-way through, DLT hijacks proceedings. Suddenly Supergroove are ousted and the DJ becomes centre stage with a virtuo performance of scratching and track manipulation.

You can hear that those turntable skills to optimum effect on the Deepgrooves compilation track DLT meets the Projector-Freestyle Dub. Three and a half minutes in he throws down and starts gouging away at Mike Hodgsons sinister dub. Turned up way loud it sounds like DLT’s ripping jagged tracts into time not moving a piece of vinyl back and forth across a turntable. Epic.

At times DLT's treatment will highlight an aspect which is almost hidden in the normal mix of the song. Take the vocals, stripped back, without the funky Supergroove cacophony, the voices are a touching reminder that these are a bunch of teenage boys. Horny eighteen year olds who might just have the world at their feet, still a couple of years away from it all falling to pieces.
 

A short list of DLT remixes


Upper Hutt Posse - Stormy Weather ‎ (Projector Dub, as VLT)

Supergroove - Great mixes (Traction remixed)


Dark Tower - The New Outlook

Salmonella Dub - Johnny ‎ (available on Outside the dubplates)

The Black Seeds - What we need (available on Pushed, Keep on pushing Remixed)

Blind Spot - Phlex

Steriogram - Schmack!(White Trash remix)








Happy 21st, Pasifika!

No Comments »




Has it really been that long? The much-loved celebration of all things Pacific culture is back for its 21st year since its 1992 inception. In great news for those of us that happen to be stuck at work on Saturdays, this year the festival has expanded to run over two days. Looking forward to wandering Western Springs drinking out of a coconut in the sun this weekend!

  • Saturday, 9th March 10am to 5pm Pasifika Festival
  • Sunday, 10th March 9am to 10am Pasifika Festival Church Service
  • Sunday, 10th March 10am to 4pm Pasifika Festival

  • http://www.aucklandnz.com/pasifika